Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts
Albright-Knox Art Gallery, Buffalo, New York
The Brooklyn Museum, New York
Cathedral of Saint John the Divine Art Gallery,New York
Colby College Museum of Art, Waterville, Maine
Columbia University Art Gallery, New York
Columbus Museum of Art, Ohio
Selected Magazine Articles
Artist’s Statement From Cleve Gray: The Painted Line, Exh. cat., New York: Berry-Hill Gallery, 1990.
Seduction and Betrayal in Contemporary Art, Partisan Review 50, no. 3 (1989), pp.357—68.
Report From Berlin: Wall Painters, Art in America 73, no. 10 (October 1985), pp. 39 43.
Looking at Art: A Secret Kingdom in Chandrigarh, Art News 82, no. 7 (September 1983), pp. 112—14.
Art in Sacred Service: Vestments by Cleve Gray in a Chapel by Richard Meier, House and Garden, April 1983, pp. 61—64, 160.
Meaning in the Visual Arts, Reflection (Yale Divinity School) 79, no. 1 (November 1981), pp. 17—22.
Lee Hall, The Season Splendid: Paintings by Lee Hall in Honor of Kathryn Gamble. Exh. cat. New Jersey: Montclair Art Museum, October 28—December 9, 1979.
The Painting of Threnody, Focus on the Collection. Exh. cat. Neuberger Museum, State University of New York at Purchase, 1975.
John Marin: Graphic and Calligraphic, Art News, September 1972, pp. 48—53.
Marin and Music, Art in America, July—August 1970, pp. 72—81.
Marcel Duchamp: 1887—1968. The Great Spectator., Art in America, July—August 1969, pp. 20—27.
Experiments in Three Dimensions—Michael Ponce de Leon, Art in America, May—June 1969, pp. 72—73.
John Marin: The Etched Line Artists Proof no. 9 (1969), pp. 78—86.
Portrait: Hans Richter, Art in America, January—February 1968, pp. 48—55.
Rediscovery: Jim Davis, Art in America, November—December 1967, pp. 64—69
John Marin’s Sketchbook: Summer 1951, Art in America, September—October 1967, pp. 44—46.
and Francine du Plessix. Who Was Jackson Pollock?, Art in America, May—June 1967, pp. 48—59.
Naum Gabo Talks About Constructivism, Art in America, November—December 1966, pp. 48—55.
Print Review: The Architecture of Lyonel Feininger, Art in America, March—April 1966, pp. 88—91.
Speculations: Marcel Duchamp, Art in America, March—April 1966, pp. 72—75.
David Smith: Last Visit, Art in America, January—February 1966, pp. 23—26.
Print Review: Tatyana Grosman’s Workshop, Art in America, December—January 1965—66, pp. 83—85.
Retrospective for Marcel Duchamp, Art in America, no. 1 (1965), pp. 102—5.
and Francine du Plessix. Bruce Goff: Visionary Architect, Art in America, no. 1 (1965), pp. 82—87.
Print Review: The Portfolio Collector, Art in America, June 1965, pp. 92—95.
Robert Osborne: The Moment of Truth, Art in America, December 1964, pp. 100—105.
Preview: Gleizes at the Guggenheim, Art in America, October 1964, pp. 68—71.
Calder’s Circus, Art in America, October 1964, pp. 22—48.
Print Review: Jacques Villon, Art in America, October 1964, pp. 98—103.
and Francine du Plessix. Thomas Gilcrease and Tulsa, Art in America, June 1964, pp. 64—73.
Print Review: New York Panorama, Art in America, April 1964, pp. 106—13.
The Guggenheim International, Art in America, April 1964, pp. 48—55.
New York: Remburgers and Hambrandts, Art in America, December 1963, pp. 118—20.
Print Review: Looking for a Gift?, Art in America, December 1963, pp. 48—51.
Walter Murch: Modern Alchemist, Art in America, June 1963, pp. 80—85.
Print Review: American Prints Today, Art in America, January 1963, pp. 124—25.
New York: International Headquarters, Art in America, winter 1962, pp. 88—90.
Aspects of Anonymity, Art in America, fall 1962, pp. 92—97.
The Gallery, the Museum, and the Critic, Art in America, summer 1962, pp. 90—95.
Picasso and the Past, Art in America, no. 1 (1962), pp. 92—98.
Galleries: The Art in America Show, Art in America, no. 4 (1961), pp. 94—100.
Fall Reading, Art in America, no. 3 (1961), p. 114.
Summer Reading, Art in America, no. 2 (1961), pp. 80—86.
Spring Reading, Art in America, no. 1 (1961), pp. 90—97.
Lyonel Feininger, Art in America, no. 4 (1960), pp. 76—79.
Narcissus in Chaos: Contemporary Art, The American Scholar, autumn 1959, pp. 433—43.
Ten Years, Artist’s statement. Exh. cat. Jacques Seligmann Galleries, January 7—January 26, 1957. and George Rowley.
Chinese and Western Composition, College Art Journal, fall 1955, pp. 6—17.
Jacques Villon, Perspectives USA, no. 3, spring 1953, pp. 68—78.
Albert Gleizes, Magazine of Art, October 1950, pp. 207—10.
Orozco’s Recent Frescoes, Art in America, July 1948, pp. 135—40.
Books on the Artist
Fox Weber, Nicholas. "Cleve Gray", New York: Harry N. Abrams, Inc., 1998.
Writings on the Artist
Alloway, Lawrence Cleve Gray Exh. cat. Honolulu Academy of Arts, September 10—October 11, 1970.
Cleve Gray. Exh. cat. The Art Museum, Princeton, New Jersey, June 5—28, 1970.
Anderson, Web. “An Encounter with Abstracts,” Sunday Star Bulletin & Advertiser (Honolulu), September 1970, p. 36. [Review of the Honolulu Academy of Arts exhibition, 1970.]
Artner, Alan G. Chicago Tribune, December 7, 1984, sec. 7, p. 17. [Review of Fairweather Hardin exhibition, 1984.]
Barzun, Jacques. “Purpose in Paint,” essay for Jacques Seligmann exhibition, October 30—November 18, 1950.
Bass, Ruth. Art News, February 1985, p. 148. [Review of Armstrong Gallery exhibition, 1984.]
Beck, James H.. Art News, March 1964, p. 10. [Review of Staempfli Gallery exhibition, 1964.]
Benedikt, Michael. Art International 10, no.1 (January 1966): 98. [Review of Saidenberg exhibition, 1965.]
Berlin, Marjorie Elliot. Design Through Discovery, brief edition. Holt, Rinehart & Winston, 1980. [Threnody (1973), p. 184.]
Brenson, Michael. “Art: Two Looks at Cleve Gray’s Works,” New York Times, January 9. 1987, sec. 3, p. 1. [Review of Armstrong Gallery and Brooklyn Museum exhibitions, 1987.]
Brunelle, Al. “Cleve Gray at Betty Parsons,” Art in America, March—April 1977, pp. 116—17.
Buck, Robert. “Cleve Gray,” essay for Betty Parsons Gallery exhibition, November 6—24, 1979.
Foreword to Cleve Gray: Works on Paper 1940—1986, Brooklyn Museum exhibition, December 15, 1986—February 23, 1987.
Campbell, Lawrence. “Cleve Gray at Berry-Hill,” Art in America 84 (June 1996), pp. 98—99.
Canaday, John. New York Times, February 16, 1960, p. 44. [Review of Staempfli Gallery exhibition, 1960.]
New York Times, November 18, 1967, p. 75. [Review of Saidenberg exhibition, 1967.]
New York Times, January 10, 1970, p. 27. [Review of Betty Parsons Gallery exhibition, 1970.]
Charles, Eleanor. “Works by Cleve Gray,” New York Times, July 3, 1988, sec. CT, p. 1.
Cotter, Holland. “Cleve Gray at Berry-Hill,” Art in America, October 1990, vol. 78, p. 206.
Damsker, Matt. “600-Foot Mural to Greet Travelers at Union Station,” Hartford Courant, January 21, 1988, p. CS.
Danto, Arthur C.. “Books and the Arts: Our Holiday Lists,” The Nation, December 30, 1991, pp. 850—51. [Review of Berry-Hill exhibition, 1991.]
Dennison, George. Arts Magazine, February 1960, p. 64. [Review of Staempfli Gallery exhibition, 1960.]
Devree, Howard. New York Times, January 18, 1953, sec. 2, p. 10. [Review of Jacques Seligmann Gallery exhibition, 1953.] New York Times, November 5, 1950, sec. 2, p. 10. [Review of Jacques Seligmann Gallery exhibition, 1950.] New York Times, October 30, 1949, sec. 2, p. 9. [Review of Jacques Seligmann Gallery exhibition, 1949.]
Diamonstein, Barbaralee. “Song of Lamentation,” Art News, September 1974, pp. 78—79.
Dillenberger, John D.. “An Opportunity Not to Be Missed: Cleve Gray’s Threnody Paintings,” Arts: The Arts in Religious and Theological Studies 8, no. 2 (1966), p. 30.
Feldman, Anita. “Cleve Gray at Betty Parsons,” Arts 44, no. 4 (February 1970), p. 59.
Fox, Catherine. “Paintings Suggest a Time Warp,” Atlanta Journal, October 3, 1984, sec. C, p. 3. [Review of Gallery Two Nine One exhibition.]
Frackman, Noel. “Cleve Gray,” Arts Magazine 51, no. 5 (January 1977), p 27. [Review of Betty Parsons exhibition.] ‘Reductive Vision,” Arts Magazine 43, no. 7 (May 1969), p. 64. [Review of Betty Parsons exhibition.]
Frank, Peter. “Alexander Liberman at Emmerich/ Cleve Gray at Betty Parsons,” Art in America, September 1973, p. 114.
Galbraith, Susan. “Cleve Gray at RISD,” Anyart Journal 4, no.1 (Spring 1977), pp. 7—11.
Genauer, Emily. “Art and the Artist,” New York Post, May 18, 1974, p. 14. [Review of Threnody.] The Possessing and the Possessed,” International Herald Tribune, May 18—19, 1974. [Review of Threnody.]
Goldman, Saundra. Art News 89 (September 1990), p. 164. [Review of Berry-Hill Gallery exhibition.]
Goodrich, Lloyd. American Art of Our Century, Whitney Museum of American Art, 1961. [Mosque in Cóndoba #2 (1959), p. 242.]
Hart, John. “Cleve Gray Strikes Flame at American Academy,” Daily American (Rome), March 7, 1980, p. 5.
Hess, Thomas. “Cleve Gray,” essay for Cleve Gray Paintings 1966—1977. Exh. cat. Buffalo, New York: Albnight-Knox Art Gallery, 1977.
‘Calculated Risks,” New York, November 17, 1975, pp. 137—40.
‘Recommended,” New York, April 1974, p. 89. [Review of Betty Parsons exhibition.]
Hirsh, Linda. “Painting Unveiled at Airport,” Hartford Courant, May 10, 1988, B4. “Lucky Sevens,” Hartford Advocate, March 2, 1983, p. 17. [Review of Wadsworth Atheneum exhibition, 1983.] “Painting as the Dreamer Dreams,” Hartford Advocate, September 26, 1979, p. 34. [Review of Mattatuck Museum exhibition, 1979.]
Hunter, Sam. New York Times, November 30, 1947, sec. 2, p. 12. [Review of Jacques Seligmann Gallery exhibition.]
New York Times, December 12, 1948, sec. 2, p. 10. [Review of Jacques Seligmann Gallery exhibition.]
Iovine, Julie V.. “Connecticut Painters at the Wadsworth,” Connecticut Magazine, February 1983, pp. 35—36.
Karafel, Lorraine. “Cleve Gray,” Arts Magazine 57, no. 9 (May 1983), p. 19. [Review of Betty Parsons exhibition.]
Kotik, Charlotta. “The Painted Line,” essay for Cleve Gray: The Painted Line. Exh. cat. New York: Berry-Hill Gallery, March 21—April 14, 1990.
Kramer, Hilton. New York Times, May 21, 1974, p. 50. [Review of Threnody.]
New York Times, January 22, 1972, p. 25. [Review of Betty Parsons Gallery exhibition, 1972.]
Kramer, Linda Konheim. Essay for Cleve Gray: Works on Paper 1940—1986, pp. 4—8. Exh. cat. New York: Brooklyn Museum, December 15, 1986—February 23, 1987.
Kuspit, Donald B.. “Cleve Gray at Armstrong,” Art in America 74, no. 10 (October 1986), p. 161.
La Farge, Henry. Art News, November 1950, p. 68. [Review of Jacques Seligmann Gallery exhibition, 1950.] Landman, Hedy B., ed. European and American Art from Princeton Alumni Collections, The Art Museum, Princeton University, 1972. [Santiago de Cam postella (1959), p. 150.]
Lester, Eleanore. “Abstract Artist’s Works Evoke Struggle of Jews in Prague,” New York Jewish Week, November 16, 1984, p. 35.
Levin, Kim. Art News 68, no. 10 (February 1970), p. 15. [Review of Betty Parsons Gallery exhibition, 1970.]
“Gray’s Ceres Series,” Art News 66, no. 7 (November 1967), pp. 52—53, 73—74. [Review of Saidenberg Gallery exhibition, 1967.]
Litt, Steven. “Drawing a Blank, But with a Burst of Excitement,” The News and Observer (Raleigh, North Carolina), January 25, 1987, p. 3E. [Review of Duke University Museum of Art exhibition, 1987.]
MacBride, Henry. New York Sun, November 1947. [Review of Jacques Seligmann Gallery exhibition.]
McCaughey, Patrick. Essay for Cleve Gray: Romantic/Modern, Wadsworth Atheneum exhibition, 1995.
McGill, Douglas C.. “Art People,” New York Times, February 5, 1988, sec. 3, p. 27.
McNally, Owen. “Shades of Gray,” Hartford Courant, July 2, 1995, pp. Cl, G4. [Review of Wadsworth Atheneum exhibition.]
Mellow, J. R.. New York Times, April 28, 1973, p. 27. [Review of Betty Parsons Gallery exhibition, 1973.] Morris, Gitta. “Artists and Their Spaces,” Connecticut Magazine 50, no. 10 (October 1987), pp. 112—17, 202.
Muchnic, Suzanne. “First Postmerger Show at Otis/Parsons,” Los Angeles Times, July 3, 1979, sec. 5, p. 7.
Mulligan, Tim. The Hudson River Valley, 1992—1 993. New York: Random House, 1993. [Threnody (1973), p. 217.]
O’Beil, Hedy. Arts Magazine 59 (March 1985), pp. 40—41. [Review of Armstrong Gallery exhibition, 1985.]
Porter, Fairfield. Art News, February 1957, p. 11. [Review of Jacques Seligmann Gallery exhibition, 1957.]
Preston, Stuart. “From Tradition to Innovation,” New York Times, January 18, 1959, sec. 10, p. 12. [Review of Jacques Seligmann exhibition, 1959.]
New York Times, November 7, 1954, sec. 2, p. 10. [Review of Jacques Seligmann Gallery exhibition, 1954.]
Ratcliff, Carter. “Cleve Gray: In Prague 1984.” Essay for Armstrong Gallery exhibition, November 15—December 8, 1984.
“Cleve Gray,” Arts Magazine 59, no. 3 (November 1984), p. 3. [Review of Armstrong Gallery exhibition.]
“Cleve Gray at Betty Parsons,” Art in America, January 1980, p. 110.
Raynor, Vivien. “The Sublime, the Modern, and the Literal in Views of the Land,” New York Times, November 13, 1994, sec. WC, p. 20. [Review of Neuberger Museum exhibition, 1994.]
New York Times, November 16, 1979, sec. 3, p. 23. [Review of Betty Parsons Gallery exhibition.]
Reed, Judith Kaye. “London War Ruins,” Art Digest, December 15, 1948, p. 21. [Review of Jacques Seligmann Gallery exhibition, 1948.]
Robb, Anne. “State Artist Cleve Gray Showcased in Two City Exhibits,” Hartford Courant, January 30, 1983, p. E8.
Robbins, Daniel. “Cleve Gray’s Recent Work,” Arts Magazine 54, no. 3 (November 1979), pp. 118—19.
“Bronze Sculpture by Cleve Gray.” Essay for Cleve Gray: 29 Bronzes. Exh. cat. New York: Betty Parsons Gallery, 1973.
“Cleve Gray: New Works,”Art in America 53, no. 5 (October—November 1965), p. 74. [Review of Saidenberg Gallery exhibition, 1965.]
“Cleve Gray: The Burdens and Rewards of Tradition,” Art International 8, no. 2 (March 1964), pp. 31—33.
Robertson, Bryan. “Triptychs by Cleve Gray,” essay for Betty Parsons Gallery exhibition, May 14—May 31, 1974.
Rose, Barbara. “Cleve Gray: The Art of Memory,” essay for Neuberger Museum of Art exhibition, 1996.
“Cleve Gray: The Eumenides Series,” essay for Berry-Hill Gallery exhibition, 1996.
Rosoff, Patricia. “Zen and the Art of Cleve Gray,” The Hartford Advocate, July 20, 1995, pp. 29—30. [Review of Wadsworth Atheneum exhibition.]
Russell, John, New York Times, April 25, 1986, sec. 3, p. 24. [Review of the Armstrong Gallery exhibition, 1986.]
New York Times, November 16, 1984, sec. 3, p. 15. [Review of the Armstrong Gallery exhibition, 1984.]
New York Times, February 11, 1983, sec. 3, p. 21. [Review of Betty Parsons Gallery exhibition, 1983.]
New York Times, January 9, 1981, sec. 3, p. 19. [Review of Betty Parsons Gallery exhibition, 1981.]
New York Times, October 15, 1976, sec. C, p. 16. [Review of Betty Parsons Gallery exhibition, 1976.]
Santlofer, Jonathan. “Lions in Winter: American Artists in Their 70s and 80s,” Art News 92 (March 1993), pp. 86—91.
Secunda, Arthur. Arts Magazine, March 1972, pp. 60—61. [Review of Betty Parsons Gallery exhibition, 1972.]
Shirey, David L.. “Wall to Wall: Painting by Gray Nears Heroic Proportions,” New York Times, August 12, 1979, sec. 12, p. 17.
Siegel, Mildred. “Abstract Art: Cleve Gray’s ‘Expression of Life,”’ Waterbury (Conn.) Republican, September 26, 1979, p. 17. [Review of Mattatuck Museum exhibition.]
“Artist Cleve Gray ‘Wanted to Continue Magic’,” Waterbury (Conn.) American, 25 September 1979, p. 10. [Review of Mattatuck Museum exhibition.]
Southwell, William. “Gallery Encounters: Cleve Gray in Focus,” Art Matters (Philadelphia), April 1986, p. 7. [Review of Benjamin Mangel Gallery exhibition, 1983.]
Sozanski, Edward J.. “From an Abstract, ‘Cool’ Painter, a Lively New Style,” Philadelphia Enquirer, April 10, 1986, p. SC. [Review of the Benjamin Mangel Gallery exhibition, 1986.]
“An Abstract Painter of Changing Styles,” Philadelphia Enquirer, April 7, 1983, p. SE. [Review of the Benjamin Mangel Gallery exhibition, 1983.]
Tallmer, Jerry. “Meet a Lucky Man,” New York Post, November 17, 1979, p. 18. [Review of Betty Parsons Gallery exhibition, 1979.]
Tillim, Sidney. Arts Magazine, February 1959, p. 59. [Review of Jacques Seligmann Gallery exhibition, 1959.]
Tutko, Nancy. “Cleve Gray: An Artist’s Itinerary,” Danbury (Conn.) News Times, September 2, 1984, pp. E2—E5.
“Warren Artist to Discuss Works,” New York Times, June 17, 1984, sec. CT, p. 21.
Walsh, Andrew. “Church’s New Vestments Are Art for Religion’s Sake,” Hartford Courant, December 4, 1982, p. A17.
Weiss, Patricia. “Cleve Gray,” Hartford Courant, December 20, 1987, pp. 30—33, 38—39.
Weissman, Julian. Ant News 73, no. 7 (September 1974), pp. 114—16. [Review of Betty Parsons Gallery exhibition.]
Whitbeck, Doris. “Artists Judge Peers,” Hartford Courant, January 14, 1983, pp. D7, 010. [Review of Wadsworth Atheneum exhibition, 1983.]
Willig, Nancy Tobin. “Gray’s Canvases Explode, But Colors Temper His Work,” Buffalo Courier-Express, June 11, 1977, p. 12. [Review of Albright-Knox Art Gallery exhibition.]
Winburn, Jan. “Art For All: A Public Collection for Connecticut,” Hartford Courant, September 27, 1987, pp. 11—22, 38—40.
Wolff, Millie. “Irving Galleries Selection Provokes the Mind,” Palm Beach Daily News, November 17, 1982, p. 3. [Review of Irving Galleries exhibition, 1982.] “Gray’s Philosophy in His Art,” Palm Beach Daily News, December 20, 1982, p. All. [Review of Irving Galleries exhibition.] “Works of Art Given in Memory of Daniel J. Robbins,” Rhode Island School of Design: Museum Notes 83, no. 4 (June 1996), p. 18. (Broken Horizon, 1990).
Yau, John. “Nature as Gesture.” Essay for Cleve Gray: A Small Retrospective 1934—1986, Armstrong Galleries, 1986.
Cleve Gray at Betty Parsons,” Art in America 71, no. 4 (May 1983), pp. 168—69. [Review of Betty Parsons exhibition, 1983.]
Zimmer, William. “Connecticut Artists Are Given Rooms of Their Own,” New York Times, March 26, 1989, sec. CT, p. 18